BIO
A 2024 Guggenheim Fellow, Tavia Nyong’o is the William Lampson Professor of American Studies at Yale University, with award-winning books including The Amalgamation Waltz: Race, Performance, and the Ruses of Memory (University of Minnesota Press, 2009), Afro-Fabulations: The Queer Drama of Black Life (New York University Press, 2018) and Black Apocalypse: Afrofuturism at the End of the World (University of California Press, 2025). His work in critical theory and performance studies explores the intersection of history, imagination, and Black aesthetic life through the lens of performance. Tavia Nyong'o's public-facing writings have appeared in prominent publications such as Vogue, *them*, *The Nation*, *n+1*, *Artforum*, *Texte Zur Kunst*, *Cabinet*, *Triple Canopy*, *The New Inquiry*, and *NPR*. and has been recognized with fellowships from prestigious foundations such as the Ford Foundation and the Alexander von Humboldt Foundation. He serves on multiple editorial boards and co-edits the *Sexual Cultures* book series at NYU Press with Ann Pellegrini and Joshua Chambers-Letson. Currently curating public programs at the Park Avenue Armory, Nyong'o is completing groundbreaking research on topics ranging from digital technology's cultural history to racial and sexual dissidence in art and culture.
CV
EDUCATION
PUBLICATIONS
WORK IN PROGRESS
The Last Human Generation: Essays
The Racial Reckoning in Art and Performance
MONOGRAPHS
Black Apocalypse: The Glitch at the End of the World. University of California Press, American Studies Now Series (in press).
Afro-Fabulations: The Queer Drama of Black Life. New York University Press, 2018.
2019 Winner, Barnard Hewitt Award, American Society for Theatre Research, best book in theatre history or cognate disciplines.
The Amalgamation Waltz: Race, Performance and the Ruses of Memory. University of Minnesota Press, 2009. 2010 Winner, Errol Hill Award, American Society for Theatre Research,best book in African American theater, drama, and performance studies.
EDITED MONOGRAPH
José Esteban Muñoz, The Sense of Brown. Duke University Press 2020. Co-edited with Joshua Chambers-Letson.
EDITED JOURNAL ISSUES
“Presence,” a special issue of TDR: The Drama Review 66.4 2022. Co-edited with Elise Morrison and Kimberly Jannarone.
“Algorithms and Performance,” a special issue of TDR: The Drama Review 63.4 (Winter 2019). Co-edited with Elise Morrison and Joseph Roach.
“Wildness,” a special issue of South Atlantic Quarterly 117.3 (July 2018). Co-edited with Jack Halberstam.
“Being With: A special issue on the work of José Esteban Muñoz” Social Text 32.4 (2014). Co-edited with the Being With research cluster.
“Precarious Situations: Race, Gender, Globality.” Special Issue of Women and Performance: A Journal of Feminist Theory 23.2 (2013).
“Queer/Trans.” Special Issue of Journal of Popular Music Studies 25.4 (2013). Co-edited with Francesca Royster.
“Punk and It’s Afterlives,” a special Issue of Social Text 117 (2013). Co-edited with Jayna Brown and Patrick Deer.
“Recall and Response: Black Women Performers and the Mapping of Memory,” a special issue of Women & Performance: A Journal of Feminist Theory 16.1 (2006). Co-edited with Jayna Brown.
REFERRED JOURNAL ARTICLES AND BOOK CHAPTERS
“Sound and Color: A Curator’s Introduction” co-written with Jane Cox, Theater 53 (3): 66–73
“Unburdening Liveness,” TDR (2022) Vol 66 No 4: pp. 28-36
“So Far Down You Can’t See the Light: Afro-Fabulation in Branden Jacobs-Jenkins’ An Octoroon” in Soyica Diggs Colbert, Douglas A. Jones, Jr., and Shane Vogel, eds., Race and Performance after Repetition (Durham, Duke University Press, 2020), 29-45.